In the article, the author analyses 19 feature movies and TV series produced from 1996 to 2010 by Russians and dedicated to Chechnya. The main observation is that during that time the approach to this particular subject was changing. The movies made in the years 1996-98, right after the Russian army had lost the so-called First Chechen War, propagated pacifistic ideas or suggested messianic explanation of those events. However, the movies made during the Second Chechen War (1999-2006) were dominated by praise for the Russian soldier as a defender of true Russian national and orthodox traditions. A picture of the enemy changed as well: no longer was it a Chechen, but an international Muslim terrorist. Finally, after 2006, Russian film indust...
The conflict in Chechnya is one of the most protracted of all the post-Soviet conflicts and is the o...
Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die,...
This article seeks to explore the reasons for the diverging curves in film production and audience r...
This paper addresses the intricacies of patriotism during the two wars in Chechnya (1994-1996 and 19...
This article is an original attempt to define the main features of the myth of the Great Patriotic W...
In February 2000, a company of Russian paratroopers from Pskov was defeated in the Argun Valley in C...
International audienceIn February 2000, a company of Russian paratroopers from Pskov was defeated in...
This article discusses the representation of the era of the October Revolution and the Civil War in ...
World War I in the Mirror of the Russian Cinema. The article is devoted to the peculiarities of Wor...
Since the Euromaidan revolution, Ukrainian cinema has been experiencing a renaissance, associated wi...
The implications of Moscow's military involvement in Chechnya for the Russian armed forces has, unti...
Celem badań jest analiza wyobrażenia o Czeczenach istniejącego we współczesnej filmografii rosyjski...
The Great Patriotic War is one of the most tremendous war events and heartbreaking events carried ou...
This paper examines the war theme in Russian film since the collapse of the Soviet Union, with speci...
The great majority of the Russians did not support their country’s military intervention in Chechny...
The conflict in Chechnya is one of the most protracted of all the post-Soviet conflicts and is the o...
Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die,...
This article seeks to explore the reasons for the diverging curves in film production and audience r...
This paper addresses the intricacies of patriotism during the two wars in Chechnya (1994-1996 and 19...
This article is an original attempt to define the main features of the myth of the Great Patriotic W...
In February 2000, a company of Russian paratroopers from Pskov was defeated in the Argun Valley in C...
International audienceIn February 2000, a company of Russian paratroopers from Pskov was defeated in...
This article discusses the representation of the era of the October Revolution and the Civil War in ...
World War I in the Mirror of the Russian Cinema. The article is devoted to the peculiarities of Wor...
Since the Euromaidan revolution, Ukrainian cinema has been experiencing a renaissance, associated wi...
The implications of Moscow's military involvement in Chechnya for the Russian armed forces has, unti...
Celem badań jest analiza wyobrażenia o Czeczenach istniejącego we współczesnej filmografii rosyjski...
The Great Patriotic War is one of the most tremendous war events and heartbreaking events carried ou...
This paper examines the war theme in Russian film since the collapse of the Soviet Union, with speci...
The great majority of the Russians did not support their country’s military intervention in Chechny...
The conflict in Chechnya is one of the most protracted of all the post-Soviet conflicts and is the o...
Focusing on Akhtem Seitablaiev’s blockbuster Kiborhy: Heroi ne vmyraiut' (Cyborgs: Heroes Never Die,...
This article seeks to explore the reasons for the diverging curves in film production and audience r...